In Houston, artists hold a ``Day of the Dead Rock Stars'' where they pay homage to departed singers like Joey Ramone, Johnny Cash and even ``El Marvin Gaye.'' Community centers in Los Angeles build altars for rapper Tupac Shakur and Mexican artist Frida Kahlo.
``It's everywhere now,'' said Carlos Hernández, 49, a Houston-based artist who launched the ``Day of the Dead Rock Stars'' event. ``You can even get Día de los Muertos stuff at Wal-Mart.''
The Day of the Dead, or Día de los Muertos, honors departed souls of loved ones who are welcomed back for a few intimate hours. At burial sites or intricately built altars, photos of loved ones are centered on skeleton figurines, bright decorations, candles, candy and other offerings such as the favorite foods of the departed. Pre-Columbian in origin, many of the themes and rituals now are mixtures of indigenous practices and Roman Catholicism.
The holiday is celebrated in Mexico, Guatemala, Brazil and parts of Ecuador.
Leading up to the day, bakers make sugar skulls and sweet ``bread of the dead,'' and artists create elaborate paper cut-out designs that can be hung on altars. Some families keep private night-long vigils at burial sites.
In North America, decorations often center on images of La Calavera Catrina—a skeleton of an upper-class woman whose image was made popular by the late-Mexican printmaker José Guadalupe Posada. She is typically seen on photos or through papier-mache statues alongside other skeletal figures in everyday situations like playing soccer, dancing or getting married. La Catrina is the most popular recreated figure related to the holiday.
``She is our best-selling item,'' said Torres, 35, who owns the Masks y Más in Albuquerque, a shop that sells Day of the Dead art and clothing year-round. ``I have artists sending me their Catrina pieces from all over.''
Albuquerque's National Hispanic Cultural Center hosts an annual ``Día de los Muertos Community Gathering,'' featuring many of the artists from Masks y Mas. The community ``ofrenda”—the term for a Day of the Dead offering or homemade altar—features blessings, live music and poetry, Oct. 17-Nov. 8. The center also is exhibiting an altar by Mexican-American novelist Sandra Cisneros dedicated to her mother.
The city also hosts an annual parade where marchers dress in Day of the Dead gear and makeup, and it organizes a ``Day of the Tread'' bike and marathon race.
The exhibits and events are not limited to the Southwest. Harvard University's Peabody Museum of Archaeology and Ethnology has a Day of the Dead altar on permanent display and offers Day of the Dead art classes to students in second to eighth grades. And in New York City, the Brooklyn Arts Council recently initiated a year-long Day of the Dead education project to heighten public awareness ``on mourning and remembrance.''
The growing Latin American population in the U.S. and the increased influence of Latino culture here in everything from food to TV programming are obviously major factors in the growth of Day of the Dead celebrations. But the holiday's increased popularity may also coincide with evolving attitudes toward death, including a move away from private mourning to more public ways of honoring departed loved ones, whether through online tributes or sidewalk memorials.
``I think it has to do with Sept. 11,'' said Albuquerque, N.M.-based artist Kenny Chávez. ``We're all looking at death differently, and the Day of the Dead allows us to talk about it.''
For some in the U.S., the Day of the Dead remains personal as they use the occasion to remember close loved ones. But for others, it's a chance to honor late celebrities or just an opportunity to dress up as a favorite Day of the Dead character.
Chávez said those unfamiliar with the event sometimes freeze when they first see Day of the Dead images. ``We have people come into the shop and ask if this about the occult or devil worshipping,'' said Chavez, who works at Masks y Más. ``They get all weirded out until you explain what this is.''
It's also become a business outside of the holiday period. Torres said part of his business out of Masks y Más was embroidering muerta images on the shorts and gloves of mixed martial arts fighters. ``They can't get enough of it,'' he said.
Torres said white and Native American artists are also now creating artwork around Day of the Dead themes. ``It all about understanding the meaning of the day,'' he said. ``They can take chances with the art.''
But as Day of the Dead grows in presence, some fear that the spiritual aspects of the holiday are being lost. Already in Oaxaca, Mexico, where Day of the Dead is one of the most important holidays of the year, the area is annually overrun by U.S. and European tourists who crowd cemeteries to take photos of villagers praying at burial sites. Art dealers also buy cheap crafts, then resell them at much higher prices at chic shops in the U.S.
Oscar Lozoya, 57, an Albuquerque-based photographer who shoots fine art photographs of La Catrina, said some newcomers to the holiday are merely using it as an excuse to party and dress up in skeleton costumes. He hopes that they eventually do their research.
``I know what it means and its importance,'' said Lozoya, who hosts an annual Day of the Dead art show. ``So I think the more people look beyond the art and learn about it, the more people will understand its real significance.''
Follow Russell Contreras on Twitter at http://twitter.com/russcontreras